Wednesday, January 25, 2017

Some Tips on How to Find the Positive in Your Rejection Letters


(photo by Rick Lombardo)


It’s nothing personal. Really. It’s not. Rejection is a big part of the writing process. If you want to be published you better get used to it. Competition is fierce and the slush pile keeps growing. If you’ve ever had the pleasure to read for a literary journal or have served on an editorial board then you know exactly what I’m talking about.

We just wrapped up evaluations for the 10th issue of Newtown Literary and I must say that it pains me to have to decide against a piece. Obviously, every story, essay, and poem cannot make it into every issue, but I know what each writer goes through so the evaluating process can be stressful. I think it has helped me as a writer to know both sides of the fence.

You may want to consider reading for a journal or a magazine to both improve your editorial eye, but also to build more empathy and a thicker skin for dealing with rejection. Since I’ve been on both sides of the fence: reviewing and submitting— I know what is at stake. I’m sensitive to the torment and mental anguish that all writers must deal with. But let me make it perfectly clear, editors go through the same thing. The more we send, the more we review. It doesn’t get easier. We do, however, learn to cope with it. Better I think.

Without giving away any secrets of the sausage-making, I will say that having many eyes looking over and evaluating pieces gives you a better understanding and appreciation for putting together a magazine and a journal. You will also realize that you need more than one champion to tout your work. Think of it this way. You might have piqued the curiosity of an editor, maybe even two, but a majority will have to give the thumbs up before it moves forward. Before you will see it in print.

One of the ways I’ve dealt with rejection is to look for the positive sign. How can that be possible? Well, not all rejections are form letters. I have had the good fortune of some of these “Positive Rejections.” They are not at all the same Form Letter Rejections. Nonetheless, a rejection still hurts. No matter how high you rise in the writing business, there will always be rejection. Since many literary journals now have blind submissions this will only become more prevalent. So much for buddying up with industry people.

The granddaddy of all rejections is the Form Letter. We’ve all had them. There is a hierarchy though. For years I’ve compiled a personal list of all my rejections replete with the names of the editors who have signed off on them. You don’t always get a name, but if one does appear it is a good sign. It probably means that your submission got, at the very least, a second look.

I’m going to share with you 5 Types of Rejections that I’ve catalogued. There are more of course, but this will give you an idea what to expect, and, will give you a silver lining.

1- Form Letter

We've all had to deal with these, but once you get over it, and realize it isn't personal you will begin to embark on a journey called the writing/submitting-publishing process.

2— Editor-in-Chief Signatures

I briefly alluded to this earlier, but you must remember that there are usually more than one editor at a journal. You can also scroll through the masthead to see how many and who are the editors. When you get the E-N-C to sign off, you’ve made some progress. This is the journal to submit to in the future.

3— We Look Forward to Seeing More of Your Work

This is very promising, and not unheard of. It means you are on the right track

4— Came Close


You made the final cut. These are almost heartbreaking because you were practically there. A variety of reasons could’ve kept your story out of the issue, but you also have myriad reasons why you should send back to that journal or magazine.

5— Personal Note

These are golden and to be coveted. You won’t get many of these, but they will become the bulwark of your coffee chatter and the stories you tell over drinks.

My most heralded rejections came from Judith Regan and Roxanne Gay. Some years back, my agent sent a story to Harper Collins that had landed on the desk of Judith Regan. That was a blessing. She even took the time to write a personal note. My novel had promise and they said I was a talented writer, but alas, they felt that my story didn’t neatly fit into a particular genre.

My positive rejection from Roxanne Gay was even juicier. She was with Pank at the time. She really enjoyed my piece “God Bless the Treadmills” and really wanted to publish the piece, but felt my anti-hero needed to be just a pinch meaner. That story has since been published by Euphony a journal published at the University of Chicago. This story will also be in my forthcoming collection "Something Like Bliss."

I highly recommend creating your own Positive Rejection list. It will help you deal with the blues, plus it will provide oodles of valuable clues as to how you might get the green light on your work in the future.




Thursday, January 12, 2017

Using Writing Prompts As A Jumpstart To Fuel Your Stories



We can all use a boost, sometimes. If there’s a hurdle to clear, that quick burst of energy comes in very handy. But where does it come from? Do you have some stashed away? Writers aren’t that different from runners in that sense. They both need stamina. They also must practice laps.

Today I’m going to discuss the idea of using writing prompts to jumpstart your stories. Some of us might think of this as being an academic exercise or something better suited for classrooms than for “real” writers. Baloney. I use writing prompts because they work. It gives you perfectly good material to cull from. What you do with it is up to you.

Recently, I’ve found that using writing prompts has taken my material into a new direction. I’ve also linked into a dedicated Wednesday Writing Prompt Group that welcomes all genres and styles. I really look forward to Wednesdays because I get a fresh burst of ideas and writers probably more so than regular pokes need motivation. It can be lonely out there for us keyboard-clackers.

Writing prompts can be used solely as an exercise. No doubt about that. You do run treadmills and go to spin class, right? Why shouldn’t you tighten your prose in a similar fashion? I find it particularly helpful because the use of writing prompts narrows my parameters, sharpens my focus. It’s not that I don’t have an objective when I sit down and write, but the objective is crystal clear with a writing prompt. It helps us stay on track.

Writers need to accept that everything they write shouldn’t necessarily be published. We have big egos so we don’t want to admit that, but it’s true. A good prompt might give us a few pages. That’s gold. Some of us might crank out more and some of us might crank out less. I’d liken this material to stock footage. You never know when you might need it so hang onto it. If you lose it or if the dog scarfs it down, you can always write more.

Here are 5 Types of Writing Prompts that you can add to your arsenal.

1 – Keyword and Themes


Have a Bag of Index Cards marked with Keywords and Themes. Let’s say you pull a card with the word, “door” then you must use the word door in your story. Clear, concrete images usually work best: “door”, “hammer”, “vampire”, “squid”, “window”, but you can spice things up with “brighten”, “fall”, “lofty”, ‘baggage”, “wonky” that will approach the thematic and slightly more esoteric side. A good mix is probably best.

2 – Opening Line

“It was a dark and stormy night.” “The druids huddled in a circle and chanted their great spell.” “Marjorie snuck the candy in her pocket and walked away.” Any type of intro is fine. You can take these stories in any direction. You may not even be fond of these intros, but they gives you starting points.

3 – Last Line

This can be very helpful. In fact, many writers do this for their work. It gives you direction. “They lived happily ever after.” “Pervis frowned at the scar, but decided to live with it.” “Edith tiptoed out with a great big tangerine slice of a grin.”

4 – Topic

First kiss. Scary experience. A memorable sleepover. Any of these will work.

5 – Combining (Theme and Last Line) or (Topic and Keyword) or any Combination

That could be an interesting way to approach it too.


Who benefits from writing prompts? I’d say all writers do, but if you want some specifics, here are 5 categories that can really benefit. You be your own judge if you fall under any of these categories.

1 – Character-driven writers

Now I mean this in its broadest sense. Character-driven writers tend to throw plot out the window if given the chance. Not that plot-driven writers can’t benefit from tightening too.

2 – Those of us With a Gift for the Tangential

Ok so maybe I sometimes fit into this category. I can empathize for sure. If you feel your prose if getting way off track, a keyword or theme can really tighten your focus.

3 – Students

If you’re a student then you might really love this or you might not. I find that students are more receptive to the prompts because they are hungry to produce lots of material.

4 – Writers Who Have ha d Long Lay Off

This can be a major blessing. Writers who are anxious to get back to the notebook or the iPad will benefit from the starting point. For me, reading articles usually prompts me to write, but we all find inspiration from different avenues.

5 – The Unfortunate Souls Suffering From Writer’s Block


You had the masterpiece going gangbusters and then kerflooey, not another word. Crickets. Nobody is asking you to admit to this form of literary kryptonite, but if you have ever been stricken with it then it couldn’t hurt to try a new springboard. Writing prompts have done wonders in this area.


Okay I think that give you an idea. Now it’s you turn to go out and write. Bring a pen!

Thursday, January 5, 2017

6 Hints For Putting Together Your Amazing Short Story Collection



You could toss in everything but the kitchen sink. You could sprinkle in a little paprika or cardamom, for flavoring. Then you’d have yourself a nice, big mess. If you’re Pig-Pen, no sweat. For everybody else, no dice. Don’t get me wrong, I like thick books and I cannot lie. But how many doorstoppers and footstools do you need?

Today I’m going to share 6 Easy Steps to help you Put Together Your Amazing Story Collection.

1 – Bring The Curator’s Sharp Eye to The Body of Work

Wait a second! Am I putting together a collection of Short Stories or am I setting up a display case full of Cave Men chasing after Woolly mammoths? The truth is that you have a challenging task ahead. You need to get out of the author’s head and put on the critic’s hat. This is not easy. You gave birth to this collection. You feel that each of your pieces are absolute gems. Each one ritzier than the Hope Diamond. You love them all like your own children (the best ones anyway). The trickier part actually is dealing with the fact that, for the most part, these stories have already been published. They already have the stamp of approval, but you need to fit them into your collection.

What does Francine Prose say about editing? She says something like “putting every word on the trial of its life.” You need to put each of the stories you’re considering on the trial of their lives.

2 – Don’t Be Humble, Grab the Stories that Have Received Awards and Citations

This seems apparent. Nonetheless, it cannot be overlooked. Writers are acutely sensitive beings. They also have lots of doubts. Maybe this has something to do with all the rejection we put up with. Even when we have been awarded something we sometimes wonder if we are deserving. I might have been guilty of this putting together my forthcoming collection. Although, in reality, it was probably just an oversight since I was working with many moving parts. When I was putting together “Something Like Bliss,” I was deliberating over which of my published pieces belonged in my collection. I had what I thought was my full collection, and yet I had left out the story “Shipbreakers” that had both earned my admission into Grad School and placed in the Writer’s Digest Short Story Competition. I had already picked out 17 stories when it occurred to me I was missing “Shipbreakers.” What a goof! A blunder as they say in chess. To leave out a story selected in a competition by a nationally recognized magazine is an egregious oversight.

3 – Look for Themes and Other Connective Tissue

Do you have a bunch of Postal Workers going postal in your stories? Does it seem like that fireflies are not just a one-off, but a reoccurring theme, the beacon of hope, the beacon understanding flickering throughout many of your pieces? Haruki Murakami used earthquakes as his connective tissue in his collection, “After the Quake.” George Saunder’s “Civilwarland in Bad Decline” could be a metaphor for where our culture and country have gone (even way back in 1996), but it is also the title of his collection.

4 – Consider Different Lengths for Your Reader (Really. This is muy importante.)

Master storyteller, Lydia Davis, is especially good at this. She can put out tremendous 6-word-stories and astonish you just the same with near-novela-length works. She’s leans toward the pithier side. This adds shape to your collection, but it also gives a reader, a breather. What? This isn’t AMC or Nick at Night or a Pandora station. Oh no? But, you are competing with them.

5 – Toss In the Monkey Wrench— Shake Up Your Audience with a Shift in Genre

Now I’m not telling you to write some romance, if that’s not your bag. You don’t need to do zombie either. But it sure won’t hurt. Today’s writers need to be nimble. Tomorrow’s writers even more so. There’s a lot of talent out there. A boatload. Show how you stand out. Too many collections have the same style, the same drippy dialogue, settings, and so on. Wait, didn’t you say we need connective tissue? Yeah, you did in #3. Well, my friends, Rules are meant to be broken.

6 – Enlist An Outsider, An Amigo, A Frenemy, The Kook in the Coffee Shop


The 1st suggestion is a really tough one. Not all of us might have that curator’s to make objective choices. We might need to enlist an outsider. This is an old standby. Writers have editors. They even have writing/reading buddies to flip through their stuff. Tolkien had Lewis. Carver had Lish. Ernie had Gertie (or was it Trudy). Who do you have? Get somebody. Quick. Let’m read, let’m gripe, let’m discover the genius, unleashed.

Friday, December 30, 2016

The Inspiration Behind "Lifeguard"


(Photo by BJ Choi)

I'm sharing this post so that you may know the inspiration behind my story "Lifeguard." The piece was first published by The Merida Review back in July 2014. It will appear in my forthcoming collection "Something Like Bliss" slated for release in late January 2017. It's a story about courage, trust, friendship, family, and the sometimes clumsy and clouded pursuit of peace of mind. The Doyles are loosely based upon close family friends of my parents. We used to visit them every summer at their place in Breezy Point. There were a lot of fond memories, but a few testy ones too. Nothing terrible every happened to me, but I did recall an incident when somebody drowned. I was roughly 10 years old at the time and I overheard my mom earnestly talking with her friend. I cannot be indubitably sure she discussed any arrangements for taking care of me if she died, but I do remember, perhaps with too much alacrity that she had wanted her best friend to be my godmother instead of my aunt.



Lifeguard

By John Gorman

I was ten when my parents decided to let the Doyles raise me. Mom and Dad weren’t throwing in the towel, but preparing themselves. God forbid, they both died together.

We saw the Doyles a few times each summer. Their place was in Breezy Point, a blue-collar Irish and Italian-American community. There were plenty of boys my age to play with, but I liked spending time with the Doyles because, for the most part, they treated me like a grown-up.

Phil was painting the coffee table when we arrived, a newspaper tucked under his knees as he added the last brush strokes. He waved a big hello. He’d held me in greater deference since I caught him smoking an American Spirit last summer after his wife Maggie had yammered on and on about his willpower. I got ten bucks for discovering the bitter truth.

I knew him as the happy-go-lucky handyman, the king of gutter-stripping, refrigeration, and Chinese Checkers. If you cropped his image at the chin, had no inkling of the tool clutched in his hand, then you’d suspect a philosopher hidden within his pensive nut brown eyes, grappling for the critical thread to save the universe from sputtering into chaos.

Maggie thrust the screen door open with her elbow and greeted us, her silvery hair poking through the sides of her navy bandana. The table had already been set with white ceramic bowls and red paper napkins choked through blue wooden holders. A tray of finger sandwiches sat in the middle next to a jar of Gulden’s mustard and a small dish of chopped tomato and cucumber.

Maggie gave me a firm handshake. She excused herself and went back into the kitchen to fetch a pitcher of lemonade. Dad eyed the chairs to see which one had the most shade and frowned when he noticed the director’s chair by the head of the table. The tree threw off a Brobdingnagian shadow, but Dad’s back wouldn’t last pressed up to stretchy fabric. He plopped into the wicker seat nearest the screen door.

Even while we lounged on the deck sipping lemonade and breezing through the cursory formalities of catch-up, Phil tended to chores, a pair of pliers dangling from the belt loop of his denim shorts. He sat for a minute then jumped up to open the screen door so Maggie could set down a piping hot pan of quiche surprise.

“Look what the chef of the future whipped up,” Phil said.

I helped myself to two heaping wedges. Of course, I burned my tongue. I let the quiche cool on my plate and attacked the potato chips.

“Looks like feeding time at the zoo,” Dad said.

“Who wants to adopt this kid?” Mom said.

Maggie smiled, pouring me a tall one. Ice-cubes with lemon pulp floated to the top of my glass. “Sure, we’ll take him for a month,” Maggie said.

I didn’t think anything of it then. Mom joshed. She had that way about her. After lunch, I excused myself to change into my swim trunks. Maggie got up and walked me inside. She wiped her feet before entering and I did the same. She pointed to Phil’s room and I grabbed my swim trunks out of Mom’s tote bag. The window was opened a crack and a warm breeze rustled in, spreading the smell of fresh-washed sheets and ocean mist. I tweaked the blinds until the room faded into a charcoal gray. When my eyes adjusted to the grainy darkness, I caught a glimpse of Rocky Marciano’s boxing gloves pinched within their eight-by-ten frame. A while back, Phil had told me he got the champ’s autograph when he was waiting in line for his meatball hero at a Hell’s Kitchen pizzeria.

I heard Maggie and Mom talking by the back porch. I moved to the corner to hear them clearer.

“Oh my God,” Maggie said. “You weren’t kidding.”

“I know it’s a huge responsibility. But you like Dennis,” Mom said.

“Sure we do, but there’s so much to consider. What about your sister?”

“She’s got three kids. Where’s Dennis going to fit in?”

“They’re family though.”

“We want Dennis to get all the attention he deserves.”

“Phil never wanted to have a baby.”

“He’s practically a teenager.”

“That’s when the shit hits the fan.”

I then had the fierce desire to steal a glimpse of Maggie’s face. I wanted to see the rejection. I slipped out the side door. Mom stood with her back to the house, both elbows propped by the wooden rail, peering off to the bay. Maggie faced away, her fingers twitching for a cigarette— a taste of her past, but her youth had blown away like so much sand in the wind and when I’ d crept up on her she grinned like a toothless fortune teller.

“That’s some bathing suit,” Maggie said.

“Swim trunks,” I said.

I’d been dying to go for a dip the whole muggy ride over. I stood there instead as if waiting for a beating. I heard footsteps clopping around the bend.

“Aren’t you coming?” Phil said, cracking open a fresh Coors.

Some of the foam sprayed onto his knuckles and he licked it clean.

He led me to the front deck where Dad was rubbing suntan lotion on his face. He left two dabs on either side of his nose and let his towel hang off his shoulders like Superman. Phil downed the last of his beer and parked it on the table. He snapped his fingers and we followed him out the gate. We didn’t take the concrete walkway on Kildare, but Juno’s sandy path to the ocean where the houses gave way to huts. He waved to a dozen or so residents camped on their decks sipping beers, chatting with friends. I tapped a wind chime made of mussel shells and watched it rattle in a creepy hula dance.

By the tail end of the beach, we cut through the dunes swaying with wild, wiry strands of grass. Pipers prowled for coffee crumbs and other goodies left behind by day-trippers. The sun hid behind a gauzy veil of clouds as if it hadn’t made its mind whether or not to show its face on Breezy Point’s listless shore. Two teenage girls lay facedown on their royal blue beach towel. The skinnier one dipped her feet to her butt and gazed into a thick paperback the cover of which was chewed off. Her friend twisted to snag a bunch of grapes from a grocery bag. I turned my head afraid she might catch me staring.

Phil and I were already topless and in our swim gear while Dad was still wearing his khakis. He shed them on the beach revealing his white, almost albino legs. They were hairless too, though he didn’t shave them.

“You could win a beauty pageant with those babies,” Phil said.

I laughed, but really it bothered me. Mainly, I was angry with my dad for not landing his own jab. He smiled wanly and brushed it off. It must have upset him because he went to such great lengths to hide his legs. The only time I saw them exposed were those few fleeting moments in the summer before he dipped into the cold shimmering mouth of the ocean. Dad tossed his towel on the sand, sat, and then oiled his legs.

Phil pulled the beak of my baseball cap over my eyes momentarily blinding me.

“How about a quick run?” he asked.

“Think you can take me?” I said, in a cocky voice.

Phil turned the knob on his radio then clamped his headset to his ears. I gave him a thumbs’ up. Where the tide’s creamy foam swished onto the shore we broke into trot. Seagulls scattered. I dashed into an early lead, pumping my arms into a metronome. Every so often I turned to see Phil’s progression, but he hung back a good twenty yards. I felt invincible, my lungs lighter than clouds. A soft breeze filtered through the back of my fishnet cap.

By the time I reached the first red flag and an empty lifeguard’s chair, my calves had gotten tight. Blood rushed into my neck. I spit to the side and the salty seawater sprayed my lips. The moist sand clumps left under my toes packed into their own islands.

Phil faded to a dream. I couldn’t tell if he’d given up or if he’d slowed into a stroll. I stayed my course. Coney Island’s Cyclone grew with each step. I’d heard you could wrap around the Rockaways and into Brooklyn’s great beach. The crisp tingle of rollercoaster metal lured me on and when a warm gust of wind tossed my cap into the sea I staggered toward it. The beaming sun toyed with me. I retrieved my cap two-handed and put it on backwards with the adjustable flap pulled to its last snap.

Twenty some-odd yards later, I crossed a patch of sun-baked kelp and my legs almost buckled. I eased into a walk. Nothing brisk about it. I wanted to tumble into the sand and cover myself ankle to nose.

When Phil finally cruised past me, I kicked sand at him as if I were Billy Martin soiling an umpire. He didn’t even turn his head and kept his same stupid old man’s pace. Before his stride fused to a blur my stomach began to swirl. The bitter taste of acid rising up my throat till something like spoiled pineapple chunks slithered down my chin. I pushed my knuckles to my mouth and added sand to my mess. Then I rinsed off in the ocean. The sharp chill sent a jagged arc of goose pimples across my pinkish arms.

I walked it off.

Dad swam in the distance, drifting with the speedboats, and I followed his path. I stayed close to the water, letting it splash over my ankles. Tiny bubbles swilled into the mud when the tide washed back out. Dad swam facedown, his kicks perfectly synchronized with his rising and splashing arms. He dove down for awhile, never for too long, and he rose like Poseidon, his wet stringy hair dripping onto the skin of the sea.

This time he stayed under for too long and I worried. Not a single lifeguard in sight. I ran again toward where I had last seen him surface. A bright ray beamed off the water making it shine like a sea of jewels. A clam shell crunched underfoot. “Dad,” I yelled. “Dad.” The waves rose into a higher shelf and roared when they crashed. I treaded currents waist high. Then put my arms into it. My kicking sucked and I had to set my mouth to the side to breathe. I’d swallow if I put my head under.

“Where’s your pop?” Phil shouted, startling me.

He came in at the knees and clapped his hands into the water.

“He must have been a dolphin in his past life,” Phil said.

“Shut up,” I said.

“What’s the matter with you?”

I bit my lip. I wouldn’t let him see me crying, but he trailed me out. So there was no other choice, but to go under. I threw my arms wildly. One-one thousand, two-one thousand, three-one thousand then I slid my ear to the surface and listened for Dad’s heartbeat. I heard the drone of a million conch shells and saw the papery sway of seaweed. A huge green wave smashed over me, spun me around, and plunged to floor. Then I saw Phil’s hairy legs dithering in the currents. I lost my orientation, but floundered to the green glow, hoping to escape. I kicked and flailed until I touched bottom and then I rose from the knee-high water. My right ear still clogged and my feet sank into the mushy sand. My nerves soared.

From my helpless vantage point, I watched the maddening swill of water spit up an arm. I couldn’t tell who it belonged to and then I saw that Phil had wrapped his arms around my dad like he was hanging onto a life preserver except it was Phil who was making sure my dad stayed fastened to him. They carried on this drunken dance, Phil hauling my dad to the shore and dumped him onto the shell-crushed sand. He didn’t need CPR or anything like that. My dad, beached on his back, was already spitting up seawater and I felt my stomach churning again. I kept a horse fly’s distance, my head buzzing, and a malicious wind whipped behind my ears. The weird thing about seeing somebody you love so close to death is in that splintering instance everything pulls into focus— watertight— infinity squeezed into a single drop.

I couldn’t help being a little angry at Phil for jumping in and grabbing my dad. He didn’t give him a chance to surface on his own. I wanted to believe he would’ve made it up just fine, didn’t want to consider for a moment that my dad could ever depend on somebody else the way I depended on him.

When my dad had seemed to have shaken off this terrible thing, he turned to me with will-o’-wispy eyes and said, “Don’t you never go into those riptides.”

I nodded and wiped the snot from my nose.

We loped back, not together, but as a discombobulated crew. The beads of sea had completely dried on my back. My hair was still dripping. When we hit the walkway, I still couldn’t shake the jittery pulse of emotions that made me feel both bolder and more brittle.

Thursday, December 29, 2016

8 Literary Journals You Must Submit To (Like Absolutely Right Now)


(photo by Pham Anh Huy)

There are so many awesome online journals and magazines to send your stuff to that it is almost daunting to begin. Right now there are probably over 1000 venues to consider. You can always check out Duotrope, but even that’s become ungainly if you are not a premium subscriber, and even then. I’d like to share a list of the 8 Must Submit Journals. They have been building a steady readership and may be on the verge of taking it to the next level.

Don’t get left out. Take a look at the following sites and examine their submission guidelines. Then give it a whirl.

1—New Pop Lit

This is an amazing new online journal, hailing from Detroit that has given a slew of talented writers an opportunity to express their voices. It is the brainchild of Karl “King” Wenclas. Part of their mission is to judo flip the enterprise of contemporary American Literature, make it more engaging. They also offer an interactive Poetry Blog. New Pop Lit wants to connect and build an ongoing dialog.

2—Blunderbuss

With a kickass name, and a dedicated following, Blunderbuss has burst onto the literary scene like a supernova. They cover a wide swath of topics and tones. They call themselves “genre-flexible” which is encouraging for those of us that dabble with our writing styles. Humor is also a plus. I had the great opportunity to catch them at last year’s Poetry Festival at Governor’s Island in New York.

3— Ad Hoc Fiction— A Bath Flash Fiction Award Project

Are You jonesing for writing juicy prompts and an International readership? Clack on! This Uk-based Web Community puts out a weekly E-book that is chockablock with great writers. It is for the fearless of sinewy prose. You respond to their weekly prompt and write a drabble (150-word or less piece that is a fully-formed story). It must be submitted anonymously and then the stories (if chosen) will be voted forward. Any way you slice it, it’s a killer challenge and experience.

4— Right Hand Pointing

Founded by Dale Wisely in 2004 this smart mag has survived the turbulence of the online writing world. What has upended numerous contemporaries has made them stronger. F. John Sharp is the current fiction editor. No nonsense. Pure lit with guts and gills. They’re a fantastic spot for pithy writers (and especially good for new blood). They also have an imprint. Oops, was I supposed to mention that?

5—Daily Science Fiction

Wield your swords, stir your potions. Sink your fangs into this sweet zine. This is one of the best sites for SciFi, Fantasy, and Slipstream Scribes. There’s room for everybody here. Whether you are a zombie wonk, a dragon slayer, an alien aficionado, a pixie fiend or nut for slimy, spindly-backed creatures of other realms, you will feel right at home. Best of all, there is fresh meat every day.

6 – Storychord

Possibly the coolest collaborative site anywhere. Sarah Lynn Knowles founded this creative cornucopia back in 2010. The concept rocks! Each Monday they pair a story with artwork and music. How can you beat that? They’re the badass kids from back in high school (or college) that you always wanted to hang with.

7—Freeze Frame Fiction

This one caters to Flash Fiction, tight stories of 1000 words or less. Any genre is welcome although the hardcore monster/horror fiction is not really their bag. They pay a stipend, definitely a major plus for the starving artist (though you’re not gonna get rich). One of the really cool things about them is that they are rather generous with feedback.

8— Gravel

This is a truly fantastic creative writing outlet. It’s a monthly zine. Gravel is produced by University of Arkansas’s MFA Program. They’ve got a dedicated and supportive staff. In addition to fiction, they also take creative non-fiction, photography, artwork, and videos.

Give these journals a shot. They are well worth the effort, and if you are lucky enough to land a few placements all the better.




Wednesday, December 28, 2016

What's New With Something Like Bliss




Hola again!

Hope your holiday was crispy and crunchy, but now after the little reprieve it's time to get cracking. With a little over month until the release of my story collection, "Something Like Bliss," there is still a lot of ground to cover. I'm getting a lot of great feedback and a few offers, here and there, to share snippets from the collection. Some interviews and whatnot will be forthcoming as well. To tell you the truth, I prefer interviewing other authors rather than dishing out about myself, but that's just me.

Overall it's very exciting, but also a bit nerve-racking. Add to that all the anxieties of the New Year and it can get kind of hairy. It is forcing me to get more focused and detail-oriented. I find that deadlines are the perfect catnip for us scribes. Without them, I probably would be curled up with another book rather than planning and plotting out how to chalk up fresh marketing ideas.

I'm happy to say that there will be a few blog tours on the horizon and I may be doing more of these than I had done for my first two books Shades of Luz and Disposable Heroes. Don't get me wrong, I love doing live readings and events, but in today's social media-dominated landscape it is imperative to add blog tours to the author arsenal. It's all about reader engagement. Blog Tours, if done properly, can amplify an author's outreach by creating a slew of hyperlinks and active followers. There is huge boon to shaking hands with real people, learning about them and sharing little nuggets about yourself while you're shooting the breeze during a book signing, but it's terribly costly to travel all over the country let alone all over the world. Blog Tours are more efficient. They streamline for the author and let you tap into areas you might not have gotten to if you had solely relied on bus tickets and cramped coach seats.

Recently, I've seen an uptick in both my Goodreads and Twitter followers. I will be using both outlets to engage with readers and to share author news. I will also couple this with some new projects I am working on.

Thanks for dropping by and please feel free to reply to my posts and remember that if you are an author or have contacts with other authors, I am also actively looking to interview writers ans artists on my other blog, Papercut.

See you on campus
JG

Friday, December 16, 2016

Weekend Announcements

Greetings Fellow Booklovers and Blogospherians!

A lot has been going on in the past few weeks and I've decided to share some scraps. Scrap by scrap. I'm still finishing up my piece for Writer's Digest about How to Get a Story Collection Published. I was also recently told I would be a guest editor at a new lit journal. I'm also going to be reading tomorrow night at KGB Bar's Red Room. The F-Bomb Reading Series is doing an evening of Flash Fiction. We're lucky to have Paul Beckman host the night. Some very talented readers on the card, including Gessy Alvarez the editor-and-chief of Digging Through the Fat Ripping Out the Heart. I'm down to 2 short pieces, but I haven't decided which one I'm going with just yet. I might need to flip a coin, and perhaps a special coin at that. A Mercury head piece might not cut the mustard. I'm thinking of going with something a bit more obscure like an 1857 Flying Eagle. I'm nuts about James B. Longacre's designs, but I also don't want to have to shell out for something like that just to land a lucky Flying Eagle Head.

Mainly, I wanted to let you know that I'm not resting on my laurels, and I will happy to keep you posted about readings, events, author interviews and such.

By the way, I am also looking to conduct more blog and author interviews for myself. So if you know any authors interested in having an interview, pass this hyperlink along.

Be well Be Warm!
JG